On the way to Cetinje, southwestern Montenegro
** David Tombilla ** was born in Nigrán (Galicia) with a camera under his arm in the _backstag_e of a concert. Or that's how we might imagine a human shooter meandering from club to festival and bar to rehearsal space. Perhaps, as he trained in the harsh conditions of a dark and damp concert hall, caused me to get so much out of his trips to Serbia, Montenegro, Croatia and Bosnia and Herzegovina .
He ended up there out of sheer commitment, to attend a wedding celebration that ended in an impromptu trip of about ten days touring cities and towns that appeared along the way. how not, (professional deformation What struck him the most was Mechavnik , the town of the musician and film director, Emir Kusturica , a kind of Serbian Hollywood made of wood and papier mâché in the image and likeness of the traditional villages of the interior of the country.
What does music have that travel doesn't? Is music itself a journey? For David it is. He states that he continues to feel more comfortable with concert photography, noticing the direct contact with the artist and being able to feel (and capture) the interaction with the public.
Mecavnik, Kusturica would have wanted it that way